甲骨文初研

 

 

 

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卜辞契于龟骨，其契之精而字之美，每令吾辈数千载后人神往。
先人造字，取万物之形，凝一线之简，如山取连绵轮廓，水取奔流曲线，木取枝干根条，删繁就简，以极简线条承载万物形态，是上古最高级的视觉概括艺术。
——甲骨四堂·鼎堂 郭沫若

Oracle bone inscriptions are carved onto tortoise shells. Their exquisite carving and elegant calligraphy never fail to captivate us descendants thousands of years later.
The ancient ancestors created characters by drawing shapes of all natural things with the simplest strokes. The character for mountain depicts rolling ridges; water captures flowing curves; wood draws trunks, branches and roots. By stripping away trivial details and retaining core forms, they used minimal lines to represent everything in nature, forming the most sophisticated visual abstract art of ancient times.
— Guo Moruo (Dingtang, one of the Four Masters of Oracle Bone Studies)

   
           
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纵观全部文字体系，唯有甲骨文演化来的汉字，保留了最初的象形概括基因。甲骨文的山、川、木、田、手，字架结构三千年几乎没有大变。
古人用最少笔画锁定物象本质，这种高度凝练的造字逻辑，是中华文明文字稳定传承的关键根基。
——清华大学甲骨文研究首席专家 黄天树

Among all writing systems worldwide, only Chinese characters evolved from oracle bone script preserve the original pictographic abstract genes. The structural frameworks of oracle bone characters for mountain, river, tree, field and hand have barely changed over three thousand years.
Ancient people captured the core essence of objects with the fewest possible strokes. This highly concise logic of character creation serves as the fundamental cornerstone for the stable inheritance of Chinese civilization’s writing system.
— Huang Tianshu, Chief Expert of Oracle Bone Research, Tsinghua University

        
   
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